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Natural Beauty Belly Dance, a center for artistic belly dance in both traditional and innovative spheres, empowers and inspires dancers to train precisely, avoid injury, work creatively, and take ownership of their craft. Fostering “natural beauty,” the attractive and charismatic quality of confident authentic self-expression, classes equally promote creative vision, technical excellence, and personal style.

Friday, February 24, 2012

Natural Beauty

The everyday beauty of the woman pictured below is debatable (her slender build, even skin, and dazzling teeth are exceptional), and, while unprocessed hair and non-white skin are "natural" buzzwords, the obvious thought and effort and the fantasy inspiration that shape this look are the opposite of how "natural" is usually used in the cosmetics industry.  But, I think this photo exemplifies natural beauty:  her radiance comes neither from "flawless" nor "natural" features but from her smile and the individuality of her look.  The amazing hair and makeup in this shot seem custom-made to celebrate the woman showing them.  Bravo!

Photo via Going-Natural.com
Click through to Going-Natural.com, a site full of inspiration and resources for "Going Natural: How to Fall in Love with Nappy Hair."

Wednesday, February 22, 2012

Diversifying Beauty

Commentary on the absence of diversity at the recently-ended Fashion Week, from a post entitled "Beauty According to Whom?":

[...] from the images I’ve seen, the majority of the young women chosen to represent the world's most celebrated event in beauty and fashion looked nothing like the world. In fact, they had one thing in common: blond hair and blue eyes.

Now let’s be realistic here: In 2012 in New York City, are you trying to tell me there's a shortage of working models of color? I beg to differ.
Read the full post here: http://bed-stuy.patch.com/articles/beauty-according-to-whom.

The post focuses on the under-representation of non-white runway models as a manifestation of our culture's limited appreciation for a wide spectrum of coloration and features.  It's a good article, which I agree with and recommend.  I'd like to add, though, that from my perspective, even the blond-haired and blue-eyed models look "nothing like the world." At least one blonde on the runway achieves an unreal look by not even being woman.

A model of any race or ethnicity may certainly have smooth even skin, a tall slender body, and the grace and stamina for the hard work of runway modelling.  The fashion industry can and should do a much better job hiring from a wider pool. But, how much does increased racial and ethnic diversity among runway models make fashion reflect reality?  A beautiful woman of any race or ethnicity is more likely than not to have acne scars, wrinkles, less-than-perfect teeth, a figure that does not fit into an off-the-rack size 4, or any other number of individualistic characteristics that make her look unique.

Then again, is this true diversity right for the runway?  Probably not.  The individuality promoted at fashion shows is not that of models, but of the designer; models generally function as a blank slate onto which a designer's creative vision can be projected.    While beauty is a requirement for modelling, the particular brand of preternatural beauty favored by the runway is deliberately unreal.   Intriguing idiosyncrasies in a runway model's appearance may occasionally help her career, but are more likely to be a hindrance.

While diversifying the ranks of runway models without question makes a positive contribution to diversifying fantasy representations of beauty, it's not a big step toward widening the appreciation of individuality.  Changing the culture at large ultimately means fostering an appreciation of the transcendent spark that may illuminate each of us--the inner beauty that transforms true individuality in all its permutations of shape, size, color, facial structure, and hair texture, so-called "flaws" and all, into an expression of the beautiful mystery of life itself.

Is this "real" beauty less compelling than the fantasy images of haute couture?  As something that can't effectively be sold or bought, it's certainly less compelling from an advertiser's perspective:  every woman and man can choose to take ownership of "real" beauty, simply by claiming it and acknowledging it in others.  But, once seen as the true, lush, rich experience of life, it touches in a way that fantasy can not.  We're equally entitled to enjoy beauty where ever we see it, in both real life and fantasy.  As authors of beauty, we should put no limits on our imaginations (and the images that inspire them).  My suggestion is that we we are most enriched when our appreciation of beauty encompasses the diversity of the natural and preternatural alike.

Sunday, February 19, 2012

Human Canvases

From the Daily Mail:

Flamingo by Gesine Marwedel, Via the Daily Mail

The photo essay from which this image was taken features several other artistically painted bodies.  The painted bodies are (tastefully) nude, so click through at your discretion.

Friday, February 17, 2012

Monday, February 13, 2012

Anatomy of a Tear-Jerker Why does Adele's 'Someone Like You' make everyone cry? Science has found the formula

This article from the Wall Street Journal could equally well be titled "Science of Tarab."
If "Someone Like You" produces such intense sadness in listeners, why is it so popular? Last year, Robert Zatorre and his team of neuroscientists at McGill University reported that emotionally intense music releases dopamine in the pleasure and reward centers of the brain, similar to the effects of food, sex and drugs. This makes us feel good and motivates us to repeat the behavior.

Measuring listeners' responses, Dr. Zatorre's team found that the number of goose bumps observed correlated with the amount of dopamine released, even when the music was extremely sad. The results suggest that the more emotions a song provokes—whether depressing or uplifting—the more we crave the song.

Full article.

The Human Element

Dave Grohl's grammy acceptance: 

To me this award means a lot because it shows that the human element of making music is what's most important.  Singing into a microphone and learning to play an instrument and learning to do your craft, that's the most important thing for people to do.  It's not about being perfect, it's not about sounding absolutely correct, it's not about what goes on in a computer.  It's about what goes on in here [heart] and it's about what goes on in here [intellect].

Photo via Buzzfeed

Friday, February 10, 2012

Downside to Authenticity

Authenticity is important because if you aren't true to yourself then you can’t be true to others. Plus, it’s more fun to be you. Unless you meet a girl who looks just like you and she’s a princess who’s tired of being rich and wants to switch places with you even though you’re a homeless vagrant who gets beaten every night.  Then I say go for switching places with the princess. Or better yet, kill the princess so you can take her place.
Full post contains profanity in the context of humor.  If you don't mind, read the full post here.

Monday, February 6, 2012

Art Thoughtz: Performance Art

Click through for a humorous commentary on performance art.  Video contains both profanity (in the context of humor) and non-pornographic nudity (shows stills of visual and performance art containing nude models/performers).  Watch at your discretion.


Magic Moments

From the "Emotional Sobriety" blog at the website of Psychology Today magazine: 
Can you remember a distinct, personal and private moment from your past? One where you felt connected to yourself, your purpose, or your essential nature? [...] I encourage you to remember those moments in your life, to be on the lookout for them now, and know that there is magic contained in those spiritual spaces in time where the unique individual that you are is vibrating at a perfect pitch.
Read the full post.

Sunday, February 5, 2012

Style and Substance

From New England Public Radio's Classical Music Blog, on the "sound" of authenticity.

In praise of style:
Every conductor worth his/her baton knows that Béla Bartók's music is strongly influenced by the rhythms of the Hungarian language, which places the stress on the first syllable of every word.  So, Bartók's musical phrases should be accented in the same way, and orchestras need to be taught to do it right.
And of substance:
Finally and most elusively, there's the quality that you could call commitment, or belief, or pride.  It's what the late violinist-violist-teacher Philipp Naegele meant when he once told me "we all play Russian music as if it were great; the Russians play it like they know it's great."  How does that translate to sound?  In the best "authentic" performances [...] it can be heard in the unfussy, unfancy approach to the music.  There's no showing off, with stretched phrases or exaggerated dynamic effects, how well you've mastered the work's style.  The performances, taut and direct, call attention not to the interpretation, but to the work.   They have nothing to prove, no one to impress, only the composer to serve.
Read the full post.

Friday, February 3, 2012

Evading Regret

In an article on February 1, the Guardian reported on a group of common regrets frequently shared by those at the end of life, as recorded by Bronnie Ware,an Australian nurse who spent several years working in palliative care.

From the article:
She recorded their dying epiphanies in a blog called Inspiration and Chai, which gathered so much attention that she put her observations into a book called The Top Five Regrets of the Dying.

1. I wish I'd had the courage to live a life true to myself, not the life others expected of me.

2. I wish I hadn't worked so hard.

3. I wish I'd had the courage to express my feelings.

4. I wish I had stayed in touch with my friends.

5. I wish that I had let myself be happier.

Read the full article here.