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Natural Beauty Belly Dance, a center for artistic belly dance in both traditional and innovative spheres, empowers and inspires dancers to train precisely, avoid injury, work creatively, and take ownership of their craft. Fostering “natural beauty,” the attractive and charismatic quality of confident authentic self-expression, classes equally promote creative vision, technical excellence, and personal style.

Monday, March 31, 2014

Blog Retirement

This page, blog, and site are officially retired.  At this time, I am not teaching group classes.

To stay current with me, please follow my main blog at AutumnWard.com.  You may also "like" or follow me on Facebook.  I also post erratically and infrequently at tumblr.

Wednesday, April 17, 2013

BS Doesn't Just Stand for "Beauty Sketches"

I think pretty much everyone's seen the new Dove "Beauty Sketches" ad about how you are “more beautiful than you think," but, if not, here it is:




I was going to write a response today, but someone else has already done a very good job of summing up what are essentially my thoughts on the matter.  Go read the whole post, but here's what I think is the key point:
“my primary problem with this Dove ad is that it’s not really challenging the message like it makes us feel like it is. It doesn’t really tell us that the definition of beauty is broader than we have been trained to think it is, and it doesn’t really tell us that fitting inside that definition isn’t the most important thing. It doesn’t really push back against the constant objectification of women. All it’s really saying is that you’re actually not quite as far off from the narrow definition as you might think that you are (if you look like the featured women, I guess).”
Maybe you are closer to standards of having a conventionally attractive appearance than you realize. Or maybe you are exactly as homely as you think are. Maybe your crows' feet really are that noticeable. Maybe you're not young, not healthy, and don't have high-status features relative to the standards of the person looking at you. The only reason those things should affect the love your friends and family have for you is if your friends and family are jerks. I know that being pretty really DOES matter – it's a huge social asset. But the problem with being not pretty isn't a lack of prettiness, it's that we live in a society with seriously confused priorities, thanks in part to corporate interests that survive by exploiting our insecurities.

I have a few more additions, though. Aside from this campaign, I'm not a fan of Dove's parent company, Unilever. If there is a social or political issue you care about, google “boycott Unilever” and you too will probably find something not to like: exploitative labor practices, support of oppressive political regimes, complicity in the plight of Pygmies, an uneven environmental track record, animal testing, products of dubious safety, ties to Monsanto, etc.

You'll also find allegations of racism. This is old news, but if you have forgotten or missed it the first time, Unilever also owns Ponds and another brand called “Fair and Lovely,” both of which market skin-lightening creams in Asia. The politics of these products are well beyond the sphere of what I can intelligently discuss, and Unilever is far from the only manufacturer of bleaching creams. But they don't exactly encourage the diversity that Dove ostensibly promotes. I realize, as someone who is about as white as a person can be, that I am not exactly the target audience, and it's not my business to tell anyone (especially someone of a culture and coloration different from my own) what tone they should want their skin to be, but to paraphrase Charlton Heston: Unilever, you can bleach my freckles off my cold, dead face.


Fair and Lovely



Pond's White Beauty:
 


More White Beauty:
 


Pond's Flawless White (this one is super-creepy):

Other conflicting messages come from the advertising for another Unilever brand, Axe (in other countries, “Lynx”) body spray. The “real” beauties Dove lauds are most definitely not the admirers one is promised to attract by dousing one's self in this swill. Somebody recently made a mashup of Dove and Axe ads, but it's blocked in the US. This clip sort of shows it though:



So, Dove, asks, “If you could talk to a girl in your life about beauty, confidence, and self-esteem, what would you say?” I'd say wash up with something inexpensive that makes your skin feel nice to you and that doesn't trouble your conscience, and don't let advertising from the world's third largest consumer goods company cleverly exploit your insecurity about having your insecurities exploited. Literally and figuratively, people will say anything to sell you soap.

For those interested in Unilever brands: there are a lot of them, and it's hard to wade through the Wikipedia page or Unilever's “Brands in Action” on their site. The simplest list I found for US brands is here: http://www.unileverusa.com/resource/brandproductlocator.aspx
Drop down the “choose brand” menu.

UPDATE:  There's more good commentary at http://theillusionists.org/2013/04/the-problem-with-dove/ , which also points out that 1) Unilever not only owns both Slimfast and Ben and Jerry's ice cream, but that it acquired them ON THE SAME DAY; and 2) even the "real beauty" ads are photoshopped. Quote from the retoucher: "it was great to do, a challenge, to keep everyone’s skin and faces showing the mileage but not looking unattractive."

Monday, March 4, 2013

Dancing Wisely

A piece of advice to younger/newer dancers who might tend to view the less-technical style of previous generations with a bit of snark, disdain, or condescension: consider reevaluating your judgment. This isn't an admonishment, just a note to let you know what you are missing and how you may appear to others. It's okay to like whatever you like and to be proud of what you do, but I would encourage you to consider what your own dancing would look like had you begun your education in a different era, and what the top stars will be doing in 15 years. Yesterday's visionaries weren't any less gifted and industrious than today's trailblazers. The bar didn't raise itself. Don't be an airhead, and don't embarrass yourself. Appreciate what has come before you as the gift that it is.

I became a good dancer very quickly in part because of focus, discipline, and affinity, but I was also in a good place at a good time. But if I were 25 years old today and taking my first belly dance class, I could probably get done in 2 or 3 years what, 15 years ago, it took me 10 years to figure out. (This would be especially true in some sort of confusing time warp where I got to study from my own DVDs and YouTube videos and start learning now from the foundation of what my own students and students' students have done in their careers.)

This isn't just belly dance, by the way. Compare any Olympic time/score/routine from the 50s to the expectations for today's athletes. Or just compare your cell phone to the one you had 5 years ago. Our dance builds on the achievements of those who came before us, and continues to evolve thanks to the examples and challenges we set for one another. The resources that are now available not only make it possible for gifted dancers to get very good very fast, they continually push the standard higher, constantly shifting our perception of what is possible.

I'm not telling you to be deferential and respectful to your teachers and to dancers of previous generations. Do as you see fit—a gracious outlook is good for your mental health and good manners are a good policy, but teachers don't deserve all the credit for their students' work and respect should be saved for those that deserve it. But don't kid yourself about the foundations your work has built on. To think that your dancing (or mine, or that of fill-in-the-blank OMG Big Name) sprang like Athena fully-formed from the head of Zeus is pathetic ignorance and foolish self-importance. Stop advertising that ignorance, or, better yet, divest yourself of it entirely. You, lucky you, are the beneficiary of an amazing legacy. If you'd like to be a better dancer or just a more sensible grown-up, wrap your head around the idea that whether or not you like the legacy that's been handed to you is different from having the wisdom to appreciate it. Why appreciate it? The more you do, the more you'll be able to do something amazing with it. (And the dignity you gain won't hurt either.)

"Flowers" Music Video

Wednesday, January 9, 2013

Saturday, December 29, 2012

January 2013 Beginners' Class

As we count down the final days of 2012, we also draw everyday nearer to an annual tradition:  New Years' Resolution time.  If it's always on your list, why not make this the new year you take the plunge and give belly dance a try?

Through February 13, I'm teaching Wednesday nights at 8:30 at Ral'eau Salsa, 300 W, 43rd St. (corner of 8th Ave.), 6th floor.  This is a session-format course where each lesson builds on previously-taught material, and although drop-ins are permitted at any time during the session, the course is designed for students who start together and continue together every week.  I recommend that new beginners start this week, January 2, or if you are not able to make this date, start no later than January 9. 

For more information, see RSalsa.net.

I look forward to dancing with you in 2013!

Wednesday, July 18, 2012

St. Ives, Worker of Miracles

Great news for cinephiles:  now there's time to catch up on all those movies you've been missing!  From http://www.unrealitytv.co.uk/reality-tv/towie-lydia-bright-takes-part-in-the-st-ives-seven-day-challenge/"
"According to St.Ives, the average UK woman will spend 91 hours every year applying make-up, the equivalent of three and half days a year – enough time to enjoy over 60 films, back to back."
This is not a makeup bashing post.  I love makeup!  Primarily I think it's fun and artistic, but I'm also grateful to have the option to create a dewy, blushing, pimple-free face, and, in some situations, have more control over the way I'll be perceived.  Nor is this a "natural beauty" bashing post.  I also love not wearing makeup (and hearing media messages about not wearing makeup) because sometimes there are other things I want to spend my time and money on, and also because no one should have to feel compelled to alter their appearance for someone else's benefit.  What I do NOT love is foolish misrepresentations of "natural beauty" as a new unattainable beauty standard.   This is also not meant as a post bashing Lydia Bright (the TV personality pictured below, whom I know essentially nothing about but whom I am sure is under great pressure related to her appearance and how she expresses herself), but the premise of these photos is preposterous.  Supposedly we are seeing the results of Lydia's having undertaken the "St. Ives 7-day challenge," whereby seven days of using facial scrub allowed her "to achieve fresher, more radiant looking skin, giving her the confidence to go without makeup at a makeup free shoot."



Who knew seven days of scrubbing was all it takes?  I have a suggestion, though, about the true secret to natural beauty.  No, no, it's not those aphorisms wrongly attributed to Audrey Hepburn about being a kind person...  In addition to St. Ives facial scrub for seven days, I'd suggest following this authentic ancient ritual for petitioning St. Ives, patron of "natural" beauty.

Prayer to St. Ives

O St. Ives, obtain for me these beauty favors I implore.  Grant me perfect symmetry. Save me from the tweezer and eyebrow pencil, and let my eyebrows grow in tidy orderly arcs.  Normalize my pigmentation:  let my coloration be free of any variation.  Plump my lips; lift my cheekbones; whittle my jaw; shape my eyes, nose, and lips into idealized typical Caucasian shapes.  Intercede on my behalf against dark circles under my eyes, against hair on my upper lip, and against wrinkles and sags. Imbue me with a youthful rosy glow, make me fashionably slim but not too slim, and make me impossibly blonde (except in the hair of my eyebrows and eyelashes which should still be dark enough to accentuate the shape of my uncommonly light blue eyes.)  Above all, St. Ives, take away my pores.  Though I am an adult, make my pores like unto those of a newborn babe.  Make the texture of my skin like unto that of a billiard ball.

Well, maybe it won't totally work...  According to a tweet from Lydia Bright:
JPEG of tweet taken from the Daily Mail, who captioned it "Honest: Lydia opened up about her insecurities to her Twitter followers"


Also, below her chin and a little off to the side I think there's a little freckle or mole or something.  Tsk, tsk!  But I guess it's okay if St. Ives can't truly make us "perfect," since revealing our flaws will help us, like Lydia, grow the maturity and wisdom of self-acceptance.


More photos:  http://www.dailymail.co.uk/tvshowbiz/article-2174803/TOWIEs-Lydia-Bright-leads-way-shows-face-make-free-promote-natural-beauty.html

Monday, July 9, 2012

American Hero, Roy A. Cui

In the embedded video, career image retoucher Roy A. Cui explains the moral imperative behind his decision to endanger his livelihood, and no longer accept jobs digitally altering images of female bodies in advertising and entertainment. Roy is a softspoken guy, and this is a relatively long video: if your head is in quick-clicking instant-gratification web browsing mode right now, come back and watch the video later when you have 9 minutes to dedicate to listening to this courageous and inspiring story.


 

(Or, if you're REALLY impatient, here's a transcript you can read: http://royacui.com/2012/06/28/i-dont-know-what-happens-next/).

Commentary: http://www.huffingtonpost.com/jennifer-danielle-crumpton/authenticity_b_1641905.html

More info on the film that inspired this decision: http://www.missrepresentation.org/

Thank you Roy!

"Fusion" Costuming?

Not belly dance.  Not for ladies.  But definitely worth checking out for anyone who is interested in costume.  New menswear from designer Marcos Paulo Piccoli:



Article and many more pictures at:  http://www.thecreatorsproject.com/blog/marcos-paulo-piccoli-is-pushing-menswear-to-new-geometric-limits.

Body Type, in Gymnastics and in Belly Dance

Shawn Johnson, 2009.  Photo by Jason Christopher.

Retiring athlete Shawn Johnson talks about the ironic stigma of having an "athletic" body type in her sport of gymnastics:
At her heaviest, when she stopped full-time training and allowed herself to eat typical teenage fare like ice cream and pizza, she received brutal criticism from fans, especially on the sport's message boards, and from the tabloids. "That whole process kind of broke me down and taught me something," Johnson said. "People put too much emphasis on looks."

Most of the time, nowadays, that emphasis isn't so openly expressed. Instead, it's coded, by labeling certain gymnasts—the lithe ones, the ones who aren't built like Johnson—as artistic. In theory, artistry should describe a quality of movement, a connection between the performer's limbs, the music, and the audience. But somehow, the short, stocky gymnasts like Johnson rarely get credit for that je ne sais quoi.

"In America, we'll score the stocky, athletic builds normally," 1996 Olympic gold medalist Dominique Dawes said, in response to Johnson's comments. "Internationally, there still remains a stigma to that type of body type."
Go read the rest of this article:   http://deadspin.com/5915913/athletic-shawn-johnson-retires-how-gymnastics-talks-about-bodies-in-code, then come back. 

I have been told that “of course belly dance is easy for you, because you have the right body type,” the simplistic assumption that curvilinear body lines naturally create curvilinear movements. I usually try to explain that belly dance is (now) (sort of) “easy” for me not because I have the right body type but because I have the right body ability, created through years of training: drawing arcs has less to do with dumbly propelling one’s curves through space and more to do with fine-tuned articulation, made possible by building specialized strength, range of motion, control, and coordination.

But, I can’t entirely discount that body curves amplify curvilinear movements, just as the padding of body fat amplifies shimmies. Likewise, a lean frame and wide shoulders give a distinctive sinuosity to a lot of the currently popular tribal fusion vocabulary. (The weight distribution of this build also lends itself to unmodified yoga poses, a synergistic boon for those dancing tribal fusion). I don’t at all suggest that there’s an “incorrect” body type for any particular style of belly dance, but I do think it’s helpful for dancers to consider the way the way their shapes affect the way their dancing will be perceived. Knowing one’s “type” helps a dancer to take advantage of vocabulary and styling that is “easy” for him or her, and more clearly strategize to overcome the challenges of working against that type. Just as a melody has a distinctive sound when played on different musical instruments, choreography takes on a different cast on different bodies.

But, while the violin may the most straightforward instrument for plaintive melodies, I’d rather hear a plaintive melody played by a kazoo virtuoso than by a lousy violinist; likewise I’d rather see a highly skilled dancer dancing against type than see a novice fumbling through the vocabulary that is “easy” for her shape. In fact, I’d probably rather see a highly skilled dancer dancing against type rather than with it – the belly dance equivalent of JFK's
“we go to the moon not because it is easy, but because it is hard.”  But that’s just me. If you’re NOT dancing for someone who has already seen a zillion belly dance performances, understanding and maximizing the conventional perception of your type may be a welcome shortcut to creating successful and likeable dance performances.

"Vagina (The Dance!)," posted in Honor of Lisa Brown

I'm more than a few news cycles behind on getting this posted here, but, as a result of reading about the controversy surrounding Michigan State Representative Lisa Brown's use of the word "vagina," I came across a lovely piece of dance from Boston's Snappy Dance Theater.  Delicate souls, rest easy: there is no nudity in the video.

Embedding is Disabled:  Click on this video still to open YouTube in a new window.


For those as behind on the news as I am, or who are reading this post in the future, read up on the backstory here:  www.cnn.com/2012/06/21/opinion/brown-kicked-out-for-saying-vagina/index.html.

Thursday, June 21, 2012

Authentic Egyptian Dancing

I like the dancing in this video, but what I really like is the way it contradicts everything we "know" about Egyptian Oriental dance. (In fairness, that's because it's not really an Oriental piece. It would be most appropriate to call this an early theatrical, fusion, or nontraditional dance. But I doubt anyone would question the credibility, authenticity, legitimacy, or “Egyptianness” of the dancer, Egyptian great Naima Akef.) If you are impatient, dancing begins at 1:32.




 

So many "mistakes!"...

1:32 “Real” belly dance costumes would never have just shalwar. They are underwear! See-through “Harem pants” costumes are just a silly idea that came from I Dream of Jeannie. 

1:35 Egyptian dancers don't really do anything with their arms except frame their hips, flow through simple pathways (lift up to overhead, push down, repeat..), or maybe some shoulder rolls. They don't use arm movements to mark melodic passages.

1:42 Egyptian dancers don't play finger cymbals. [Okay, a lot of us know that in the old days they did. But this seems to be often forgotten...]

1:46 Egyptian dancers don't run around and use a lot of travel steps. They just stay in one spot and dance with torso isolations.

1:51 Fast turns aren't part of Egyptian vocabulary. Those are only for dancers doing Turkish or Turkic styles.

1:58 There is no use of turnout in Egyptian dance.

2:17 Egyptians consider floorwork to be vulgar. There is no floorwork in Egyptian dance.

2:26 Why do you Americans insist on doing gymnastics in belly dance? Egyptians dancers never use athletic, over-the-top, show-off moves. Egyptian dance is all about subtlety.

3:03 Tight choreography wasn't used by classic dancers.

3:34 There's no use of chainé turns in Egyptian dance. Well, okay, maybe there are some, but only because of Reda influence. But there certainly weren't any pre-Reda.

3:49 Here are more of those travel steps Egyptian dancers never use. They're really more representative of American Vintage vocabulary, adapted from Turkish style.

4:05 Hitting every nuance of the music is “trying too hard.” That's what American dancers do. Not Egyptians.

5:03 Egyptian dancers never mark accents with footwork.

5:35 Travel? Chainé turns? Hops!? Haven't you been paying attention? Absolutely not!

5:52 It's only correct to mark rhythm with hip or shoulder movements.

6:08 No one wants to see you do a lot of footwork. Kicks are okay for Turkish dancers, but if you do them in Egyptian dance every one will think you are too American or just plain unladylike.

6:35 Egyptian dance should always be very relaxed. Very grounded.

6:48 Don't put a barrel turn in your Egyptian dance! Especially don't use a series of fast barrel turns. They're not Egyptian at all and everyone will think you don't know what you're doing!

7:04 A Middle-Eastern audience is totally not going to get your wacky “fusion” dance that you just made up without paying attention to the correct way things are supposed to be done. Maybe random Americans will think that's okay, but you need to be more conservative if you want to be taken seriously by discriminating educated audiences.


I encourage new dancers to learn about the conventions that define traditional styles of belly dance, and obviously it's totally possible to create beautiful, complete, artistic dances within accepted conventions, so there's no reason to flout rules just for the sake of flouting them. But I also think authenticity and adherence to stylistic conventions aren't measures of artistic merit. (Honestly, it's MUCH harder to create a successful dance when you aren't constrained by the conventions of a traditional style.) So my point is: if you like dances created by “rules,” and want to dance within them, do it! You're likely to create a good performance piece. If you don't want to follow “rules,” don't! It will be harder to create a beautiful dance, but, as this video shows, it can be done. And, hopefully, this unimpeachable Egyptian dancer's having done it makes you feel that you have permission to do it too.


Thank you to Baltimore dancer Shems who uploaded this video to YouTube.

Monday, June 18, 2012

"Natural" Beauty: Not Because You Like It, But Because Outer Space Boy Likes You Better That Way

Perhaps you've seen this image online recently.

 

Ladies (and girls, and for that matter men, boys, and individuals who identify somewhere else on the gender spectrum): no matter what you look like, I agree that you're already beautiful without makeup and nice clothes because of the miracle of your unique living, breathing, feeling, improbably alive human body. But I also think you're beautiful in the makeup and nice clothes you choose as expressions of your personality, creativity, and style and I love the artistic ways you celebrate your physicality. And, if your employment or other life circumstances leads you to wear clothes and makeup that anonymize your unique features to make you conform more closely to a conventional beauty standard, I understand where you're coming from and I see the beauty of your craftswomanship.


I understand (and champion) natural beauty not in terms of makeup or the lack thereof, but as the attractive and charismatic quality of confident authentic self-expression.  So if you really care what I think, I suggest, dear "girls," that you show or create the appearance that makes you feel most like the person you are.  But I also suggest that you ignore messages that encourage you to change your appearance for the benefit of someone other than yourself.   

Linked below are several discussions of Outer Space Boy, with plenty of good points made in both the articles and comments.

http://pandagon.net/index.php/site/comments/thanks-but-im-still-team-dolly

http://slacktory.com/2012/06/sassing-back-boys-with-pseudofeminist-handwritten-signs-its-a-trend-nsfw-naked-woman-inside/

http://www.feministe.us/blog/archives/2012/06/13/notes-from-my-boner-natural-beauty/

A New Model for Models

From Elle Magazine (Canada):

The women in my research want models—regardless of size or age—to inspire them with glamour, artistry and creativity. One woman said it best: “What’s the point of buying fashion if you’re going to look unfashionable?” The underlying message is that fashion needs to sell aspiration, but it is not a standardized model’s age, size or race that is aspirational; it is the clothes, styling and creative direction of the shoot.
Link to article.

Saturday, June 9, 2012

News Roundup: Brains, Noses, and Thai Food

In an interview, provocatively titled "The Wondrous World of Three Pounds of Meat" (in reference to the brain), author Jonah Lehrer discusses Imagine, his new book about the roots of creativity.  Highlight:
When it comes to creative problems, if you've got a feeling of knowing then you should keep on paying attention. You should drink that triple espresso, you should chain yourself to the desk. But in any creative process, at some point you hit a wall—you get stuck. At that point, you should go and take a long walk, let yourself daydream. Then a fresh insight is more likely to occur to you. You might even want to have a beer. A study came out showing that undergraduates who were too drunk to drive solved 30% more creative puzzles than those who were sober.
Link to story.

Elsewhere, the Daily Mail reports that nose jobs are on the decline among young Jewish women.  I'm happy for anyone who has a nose they feel good about, whether it's the nose they were born with or a nose they purchased from a surgeon, but I think this is a good sign that more people are accepting a wider definition of beauty.  The Mail suggests:
Today's stars and taste-makers are ethnically diverse and women are encouraged to value the features that make them stand out from the pack.
Finally, the New York Times reports on non-native chefs of ethnic cuisine.  While completely non-dance related, there are still some parallels to the experiences of native and non-native ethnic dancers that may be of interest to readers. 
Distance may allow a chef to explore traditions without the baggage of having to follow Mom’s recipes to the letter, even if the goal is to stay true to the original dishes. “My greatest gift is that I don’t have a Mexican grandmother,” Mr. Bayless said, “so I can look at all Mexican grandmothers as equal. If you grew up with this food, you’ll defend to the death the way your family makes a dish. So sometimes, with lots of experience, you can speak with a bit of a broader perspective.
Full Article:  Cuisines Mastered as Acquired Tastes.

Written from a different perspective, the author of the NYT piece (Francis Lam) follows up in a discussion with a Chinese-American colleague, offering equal, uh, "food for thought."
Francis: Well…would you prefer Stupak to say: "I'm doing food that's not really Mexican, it's a mashup of that and what's in my own head"?

Eddie: This is totally unfair of me to tell someone what to say. But, you asked me a question and I’ll answer it. If I could write his press release, I'd say, “I'm making modern New American food that borrows ingredients and techniques from a Mexican pantry.” Or, make fun of it like Danny Bowien [of Mission Chinese Food] does and basically say, “I love Chinese food. I don't know what I'm doing, but I respect this, that and the other Szechuan restaurant. Please don't consider me a master, I'm just a dude with a tea pot full of dirty girl drinks.” Danny Bowien is a guy who NAILS it in terms of messaging. He does funky hybrid party Chinese food that I think we're all honored to be the inspiration for. Danny hit me on twitter today wanting to put my Hainan Lobster Rice on the menu, do it! I love that people like Danny and Kareem Abdul Jabbar are interested in our culture in an inquisitive and honest way. I think Stupak is the same. His wife is Mexican and there’s a genuine passion, plus who am I to judge. I’m just saying, we need accurate messaging because it’s offensive to the diaspora. The culture needs to consider the villagers.
Link: Is it Fair for Chefs to Cook Other Cultures’ Foods?  Two immigrant sons hash out what it’s like to have your food shunned and celebrated in America by Francis Lam and Eddie Huang


Thursday, June 7, 2012

What You'll Learn (or Miss) on June 23 and 24

I'll be teaching the choreography in the clip below, along with technique and other material, in my upcoming NYC workshops.



To learn more about the dance in this video, see my blog entry on my sister site, autumnward.blogspot.com. Workshop information here.

Gymnastics Fusion

It seems to be fashionable to complain about how there is "too much gymnastics" in contemporary nightclub style belly dance, particularly in regard to influence from the former Soviet Union. I have mixed feelings -- I appreciate athleticism, but generally don't like aggressive styling in the context of traditional belly dance. But anyway, here's an fSU example of belly dance in gymnastics that I think is wonderfully successful fusion. The dancer/athlete is Russian rhythmic gymnast Yulia Sinitsina. Look at the beautiful lyrical lines of her arms and feet.



Here's another clip of the same piece.  The video quality is not as good, but this one has no sports commentator talking over the music, and without the cuts between cameras it's a little easier to both see the composition and appreciate the enormous floor space she covers. 



Wednesday, June 6, 2012

Better than a DVD?

"Move," a smart shirt with alignment sensors, claims that it will "guide you toward optimal performance and precision in movement in an ambient, precise, and beautiful way." Not surprisingly, belly dance is not mentioned as a potential application (other dance forms are), but this sounds like an interesting concept for distance learners.

Move website.

Thursday, May 17, 2012

Natural Beauty

From the Irish Examiner:

As 51-year-old mother-of-two, Molly Barker, and her 27-year-old friend and colleague, Caitlin Boyle, met for a coffee in their home town of Charlotte, North Carolina, they stumbled upon a question neither of them could answer.

"Molly is the founder of a self-esteem-boosting programme for elementary school girls, called ‘girls on the run,’ and I’m the founder of a site called OperationBeautiful.com," says Caitlin.

"One day, we were having coffee when I asked Molly, ‘what do you say to the girls when they ask you, "Molly, you say inner beauty is the most important thing, but you wear make-up and wear high heels and dye your hair. What does this mean"?’

"Both of us were stumped for a truly authentic answer, because we had always engaged in those habits and didn’t really know why we did them."

By the end of their discussion, the pair had decided that the best way to find out about those habits and their motivations was to desist from doing them.

Full story.